Tag Archives: Central Park

The “Forgotten” Father of Greater New York: Andrew Haswell Green

November 13, 1903. An 83 year old man leaves his office at 214 Broadway and gets on the Fourth Avenue street car by City Hall to join his nieces for lunch at his home. At 38th Street and Park Avenue, he disembarks the car and walks toward his house at 91 Park Avenue, a mere three houses away from the station. At his front gate, a man rushes at him, accusing the older man of turning a woman’s affection against him. (For a highly dramatic take on the confrontation read the opening of this Daily News article.) A passer-by hears the older man shout, “Who are you anyway? I don’t know you! Get away from me!” Five shots are fired, and the older man falls dead, right inside of the gate to his property. The shooter stands over the body with his revolver, his shoulders heaving, but his feet rooted in place. When the police arrive, he finally turns and blurts out: “He deserved it, —- him! He forced me to do it!” (New York Times.)

Funeral of Andrew H. Green. 1903. Museum of the City of New York. 2011.5.15.

Funeral of Andrew H. Green. 1903. Museum of the City of New York. 2011.5.15.

So begins the strange tale of the life — and death — of Andrew Haswell Green. Never heard of him? That’s completely understandable. Despite doing so much for New York City, and helping make it into the city we know today, his name faded into obscurity. However, it just takes a cursory glance around the five boroughs to see that the legacy of A.H. Green never faded at all. In fact, it thrives: Consolidation of the five boroughs? Green did that. Central Park? A.H. Green. The American Museum of Natural History, Metropolitan Museum of Art, the Bronx Zoo, Washington Bridge in Harlem, and New York Public Library? They all owe their existence to this one man. Green could perhaps be compared to the other great master builder of New York City, Robert Moses, just without the controversy. He is also one of the first preservationists, and was praised by nearly everyone for his single-minded, constant effort to improve his adopted city.

Stacy. Andrew Haswell Green. ca. 1868. Museum of the City of New York. X2011.5.10.

Stacy. Andrew Haswell Green. ca. 1868. Museum of the City of New York. 2011.5.10.

Andrew Haswell Green was born in Worcester, Massachusetts in 1820. He moved to New York City at the age of 15, where he worked as an errand boy, before eventually making his way through law school to became a partner in Samuel J. Tilden’s law firm. Perhaps inspired by Tilden, it was during this time that he began his lifelong quest for the betterment of New York City with a position on the Board of Education in 1855; three years later he was the president of the Board. He had found his passion.

Certificate from  New York Board of Education Honoring Andrew Haswell Green. 1857. 2011.5.12

Certificate from New York Board of Education Honoring Andrew Haswell Green. 1857. 2011.5.12.

Public parks and green spaces were not part of the 19th century idea of a city. Due to the rapidly growing population of Manhattan, however, city officials began looking for an area in the wilderness above 42nd Street to locate a park, and Green was elected to the Board formed to oversee its creation. When the landscape architects Calvert Vaux and Frederick Law Olmsted presented their plans for the urban oasis, Green was so taken and inspired by their proposal that he had the board create the position of comptroller for him, ensuring his close involvement. As with many public building projects, the park was already over budget and behind schedule. But in short order, Green managed the finances and even stepped into controlling the daily operations of the park building, from the construction schedule to the deciding of materials — much to the dismay of Vaux and Olmsted. Green drove the architects crazy with his own ideas about everything in the park, while also keeping them on a tight financial leash.  Despite their personal difficulties, the three men managed to fund and create one of the world’s most beautiful and recognizable urban open spaces: Central Park.

Sarony, Major & Knapp Lith. Map showing the original Topography of the site of Central Park with a Diagram of Roads and Walks now under construction. Museum of the City of New York. 50.358.60

Sarony, Major & Knapp Lith. Map showing the original Topography of the site of Central Park with a Diagram of Roads and Walks now under construction. Museum of the City of New York. 50.358.60

In 1871, the Tweed Ring, the corrupt political organization that controlled the city’s finances, was ousted and its leader, Boss Tweed, thrown in jail by Green’s old friend and mentor Samuel J. Tilden. The city reeled from the sudden loss of leadership, and was nearly left in financial ruin. Andrew Haswell Green came to the rescue again. He was elected Acting-Comptroller and went to work balancing the budget and doing whatever else it took: things were so bad, an apocryphal story tells of him paying the police force out of his own pocket. He stayed on as the city’s Comptroller for the next five years, leaving the city’s coffers in much better shape than he found them.

Green was discussed as a candidate in nearly every mayoral election from 1876 to 1896. The closest he came to actually running was in 1876 when the Independent Citizens Committee nominated him on a Reform Ticket. For once, he was unsuccessful.

Reform Ticket, Independent Citizen's Committee, Mayor, Andrew H. Green. 1875-1876. Museum of the City of New York. 2011.5.13.

Reform Ticket, Independent Citizen’s Committee, Mayor, Andrew H. Green. 1875-1876. Museum of the City of New York. 2011.5.13.

However amazing all of these contributions are, they are overshadowed by what the press dubbed “Green’s hobby.” In a word: consolidation. Green wanted to see all the competing towns, villages, and settlements in Manhattan, Richmond, Kings, The Bronx, and Queens counties under one government. As early at 1868 he was the sole voice championing consolidation. For over 20 years he lobbied hard for this, despite bitter opposition from entire cities (namely Brooklyn) and various political hurdles. He helped draft the Consolidation Law in 1895 which was passed in 1897. On January 1, 1898 Greater New York was a reality.

Colton, Ohman & Co. Map of the City of New York. 1901. Museum of the City of New York. 53.191.8.

Colton, Ohman & Co. Map of the City of New York. 1901. Museum of the City of New York. 53.191.8.

One explanation for why Green’s legacy faded into obscurity, other than just New York being fickle, might be related to his shocking death. His murderer, Cornelius M. Williams, was in love with a woman who had moved her affections on to an older gentleman with the last name of Green. Williams was so jealous that he consulted the city directory and found the first Green listed, Andrew H. Green, and laid in wait for an opportunity to show his displeasure. That opportunity presented itself on November 3, 1903 when he murdered a man for having a common last name. For a more detailed overview, read this New York Times article.

Right after Green’s death, there was a plan to name a road running along the edge of Manhattan after him, but plans floundered and for years, the only public monument dedicated to Green was a bench in a remote area of Central Park. In 2011, thanks to the tireless efforts of Manhattan Borough Historian Michael Miscione, Andrew Haswell Green Park on the bank of the East River between 59th and 63rd Streets opened to the public. Hopefully this will be the first step in remembering the forgotten father of Greater New York.

Rockwood. Andrew Haswell Green. 1895. Museum of the City of New York. 2011.5.4.

Rockwood. Andrew Haswell Green. 1895. Museum of the City of New York. 2011.5.4.

Winter in the City

In case you missed it, winter descended on New York City last week. Freezing temperatures (the coldest in two years), snow, and wind made many New Yorkers remember why they love the summer.  To observe the late arrival of winter, and the snow that’s falling as this is being written, here are some of our favorite winter images.

There is something undeniably magical about New York in the winter. The fall of snow on skyscrapers muffles the usual street noises until you can almost believe you’re walking in an earlier time. Blankets of snow transform the hard geometries of familiar sights like Herald Square and the Flatiron Building with the soft brush-like strokes of impressionist art.

Byron Company (New York, N.Y.) Broadway North from 34th Street. 1899. Museum of the City of New York. 93.1.1.17918

Byron Company (New York, N.Y.). Broadway North from 34th Street. 1899. Museum of the City of New York. 93.1.1.17918.

Jessie Tarbox Beals. Flatiron Building. ca. 1905. Museum of the City of New York. 91.53.38.

Jessie Tarbox Beals. Flatiron Building. ca. 1905. Museum of the City of New York. 91.53.38.

Central Park has been the place to enjoy winter in Manhattan since it opened in 1857. Generations of New Yorkers have skated, sledded, had snowball fight,s and simply enjoyed nature in its 843 acres. (If you want to see an amazing 1898 short film by Edison depicting the splendor of Central Park in the winter, especially sleighing, go here.)

Currier & Ives. Central Park in Winter. ca. 1885. Museum of the City of New York. 57.100.5.2

Currier & Ives. Central Park in Winter. ca. 1885. Museum of the City of New York. 57.100.5.2.

While this Currier and Ives print has sleighing in the forefront, New Yorkers have found ways many ways to enjoy the snow throughout the boroughs.

The ever popular sledding in Central Park:

Unknown. Sleigh riding in Central Park. 1897. Museum of the City of New York. X2010.11.1313.

Skating with friends:

Wurts Bros. (New York, N.Y.). Brooklyn Friends Seminary – ice skating. 1940. Museum of the City of New York. X2010.7.1.12630.

And proving that New Yorkers are nothing, if not intrepid:

Unknown. Bicycle in the snow, C. W. Hadley at the handlebars. 1898. Museum of the City of New York. X2010.11.13336

Unknown. Bicycle in the snow, C. W. Hadley at the handlebars. 1898. Museum of the City of New York. X2010.11.13336.

In all the five boroughs, during winter, you can feel like you’re in the depths of nature and not in one of the largest cities in the world.

Irving Underhill (d. 1960). Central Park Snow Scene. 1923.Muiseum of the City of New York. X2010.28.362

Irving Underhill (d. 1960). Central Park Snow Scene. 1923.Museum of the City of New York. X2010.28.362.

George Miller, Jr. When Winter Comes - Riverdale - N.Y. City. ca. 1930. Museum of the City of New York. X2010.12.152

George Miller, Jr. When Winter Comes – Riverdale – N.Y. City. ca. 1930. Museum of the City of New York. X2010.12.152.

Enjoy the rest of the of winter, whatever it might bring!

Click here to view more images of winter and New Yorkers having fun in the snow from the Museum’s collection.

Summer in the City

Now that summer is in full swing, we look back at the ways New Yorkers have either escaped or embraced the heat.

The Drive in Central Park was a place to see and be seen, particularly for the wealthiest New Yorkers, who dressed in their finest attire and rode carriages through the park.

Byron Company. Central Park: The Drive, Summer. 1894. Museum of the City of New York. 93.1.1.17778

At the turn of the century, long black stockings typically accompanied women’s bathing suits (or bathing gowns, as they were called). Bathing suits became less restrictive a few years later, when women began participating in competitive swimming.

Byron Company. Sports, Bathing, Midland Beach. 1898. Museum of the City of New York. 93.1.1.17470

Before air conditioning, it was not uncommon for tenement dwellers to put their mattresses on the roof and sleep through the season’s hottest nights.

John Sloan. Roofs, Summer Night. 1906. Museum of the City of New York. 82.200.1

The Jackie Robinson Pool originally opened as the Colonial Park Pool in Harlem on August 8, 1936. It was one of 11 swimming pools opened throughout the city that year and funded by the Works Progress Administration (WPA), a New Deal agency created to combat the Great Depression.

Sid Grossman. Federal Art Project. Colonial Park Swimming Pool, Harlem. 1939. Museum of the City of New York. 43.131.9.58

Some New Yorkers preferred water hoses to swimming pools.

United States. Office of War Information. Children spraying a hose from a porch. 1944. Museum of the City of New York. 90.28.88

Every summer, Coney Island’s boardwalk bustles with city dwellers seeking a respite from the heat.

Andrew Herman. Federal Art Project. Feeding Ice-Cream to the Dog. 1939. Museum of the City of New York. 43.131.5.34

Nathan’s Famous opened in Coney Island at Surf and Stillwell Avenues in 1916, where it still stands today and attracts scores of New Yorkers and tourists alike.

Andrew Herman. Federal Art Project. Nathan’s Hot Dog Stand, Coney Island. 1939. Museum of the City of New York. 43.131.5.13

Coney Island’s Steeplechase Park began hosting an annual poolside beauty contest called Modern Venus in 1913. Beauty contests flourished as bathing suits became skimpier.

Reginald Marsh. Modern Venus Contest at Steeplechase Park. 1939. Museum of the City of New York. 90.36.2.2.2F

After World War II, folk singers began congregating in Washington Square. The singers and their audience clashed with some residents of the neighborhood, who thought they were a nuisance. In 1947, the New York City Department of Parks & Recreation started issuing permits for public performances in city parks. In 1961, Parks Commissioner Newbold Morris rejected folk singers’ applications to play in Washington Square. Protests ensued, culminating in a fight between the musicians and their supporters and the police seeking to clear the crowds. In the end, a compromise was reached, with folk singers being allowed in the park on Sunday afternoons.

Frederick Kelly. Musicians – Washington Square. 1962. Museum of the City of New York. 01.59.22

Some people, like the man below, embrace the “if you can’t beat the heat, join it” philosophy.

Benedict J. Fernandez. Male Beauty, Coney Island, 1970. Museum of the City of New York. 99.150.23

Skully, also known by variants like “skellie,” is a children’s street game played with bottle caps. Its popularity among youth began to fade in the 1980s.

Joseph Rodriguez. Game of Skellie, East Harlem, 1987. Museum of the City of New York. 2007.8.1

A telltale sign that summer has arrived is hearing the music from ice cream trucks. Ice cream vendors have used noise to attract customers since the late 1800s. But not everybody welcomes the familiar melody of ice cream trucks. In 2005, Mayor Michael Bloomberg attempted to ban the music in the city’s noise code. An outright ban was unsuccessful, but now vendors are only allowed to play music when their vehicle is in motion.

Gerard Vezzuso. Young boys at ice cream truck, Staten Island NY, 1999. Museum of the City of New York. 01.26.8

Photographing the Postcard Collection

Allyson photographing postcards.

Ever wonder how much work goes into digitizing a collection for view on our Collections Portal?  Here at MCNY, the digital team has been hard at work numbering, shooting, and cataloging our collection of 7,691 New York City postcards.   It took about 20 days of photography shooting 400 to 600 postcards each day.  After imaging, the files are sent to our catalogers who research information such as location, date, and publisher. The keywords they apply allow the images to be searchable in our database and online.

Our postcard collection ranges from the 1890s through the 1990s, with particular strength in the early 1900s, when a postcard craze swept the nation, as explained by the Metropolitan Postcard Club of New York City:

An accumulation of factors led to an explosion in the popularity of postcards during these years. The American middle class had grown much larger in size, and the excess money it had to spend on nonessential goods was enough to support a large industry [...] Photography and printing technology had also advanced to a point that enabled high quality images to be produced in tremendous numbers and they were. Card dealers began to outnumber booksellers. Over 7 billion postcards were mailed worldwide in 1905, almost one billion in the United States alone; and this does not account for those that ended up in collections rather than the mailbox.

The images include popular tourist subjects such as aerial views of  lower Manhattan and major landmarks, but also incorporate some eccentric imagery and views outside of Manhattan,  like the three examples below.

Greetings from the Bronx, ca. 1910. Museum of the City of New York. X2011.34.1795.

Central Park Menagerie. Feeding a Snake, New York, 1905-1914. Museum of the City of New York. X2011.34.1588.

Kings County Jail, Raymond Street, ca. 1915. Museum of the City of New York. X2011.34.1823.

While most of these were purchased as traveler’s cards to be sent to family and friends back home, quite a few were actually sent within New York City  limits.  In an age before you could just send a quick text or email, postcards were a fast and informal way to get in touch with someone who did not yet own a telephone.

Capturing some of the postcards in a digital format proved challenging.  Most were the standard 3 1/2″ by 5″ but some were specialty fold out postcards. Here is an example of a particularly complicated one.  This was a folded paper postcard from the 1939 World’s Fair. When expanded and viewed through a hole in the front of the card, the viewer sees a three dimensional landscape.  Our photographers found that the best way to capture the view was to tie the postcard underneath the lens and allow it hang open while being photographed.

View captured through the lens. New York World's Fair, 1939. Museum of the City of New York. F2011.33.2119.

Front cover of the postcard - by looking through the cutout one can view the telescoping image.

Several other postcards include special fold-out sections that provide a view of the New York City skyline.

Irving Underhill (d. 1960). New York Skyline, 1900. Museum of the City of New York. X2011.34.3006.

As an added enticement to the consumer, postcard companies often hand applied tinseling or glitter to the views to enliven the image – often incongruously, as in this bedazzled depiction of Grant’s Tomb.

General U. S Grant Monument & Tomb, New York, ca. 1910. Museum of the City of New York. F2011.33.14.

Not every postcard showed exciting and interesting places such as Coney Island and the Empire State Building; here is a postcard showing the Metropolitan Life Insurance Co.’s new women’s lunch room:

Lunch room, Metropolitan Life Insurance Company, ca. 1910. Museum of the City of New York. X2011.34.325.

One of our favorite postcards is this multiple choice “busy person’s correspondence card” showing the Empire State Building.

Empire State Building at Night, New York City, 1934-1940. Museum of the City of New York. X2011.34.3492.

We are in the process of uploading the postcard collection to the Portal. Look for it online in the next week or two.